THE BRUTALIST
Hard Truths
Bridget Jones: Mad About the Boy | TICKETS ON SALE
A Complete Unknown
A REAL PAIN
september 5 | MEMBERS' PREVIEWS 4 FEBRUARY
The Fire Inside | out friday
Captain America: Brave New World | tickets on sale
Journal
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The Filmmakers Speaking Truth to Power
Oscar-nominated thriller The Seed of the Sacred Fig, by exiled Iranian director Mohammad Rasoulof, is the latest film to employ the genre as a means of exploring contemporary events – and criticising social ills. By Ian Haydn Smith
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The Poignancy of The Last Showgirl’s Underappreciated Artists
If an artist creates something that no one engages with, did they even create? Looking at The Last Showgirl, Inside Llewyn Davis and more, Meg Walters explores the characters fighting for recognition.
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How Mike Leigh Presents the Interior Lives of Complex Women
In his many female-fronted character studies – like the BAFTA-nominated Hard Truths – the social-realist British director shapes the lead roles with his actresses to ensure authenticity, writes Laura Venning.
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Bob Dylan Has Always Been A Complete Unknown
In much the same vein as Martin Scorsese and Todd Haynes’ cinematic portrayals of the enigmatic singer-songwriter, James Mangold’s Dylan biopic wisely leans into his elusiveness, writes Sophie Monks Kaufman.
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The Brutalist Review: A Tremendous, Towering Achievement
Brady Corbet’s grand, yet intimate, tale of a Hungarian-Jewish immigrant struggling to make a life for himself in mid-century America is an engrossing, thematically rich masterwork, writes Yasmin Omar.
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Angelina Jolie’s Persona Made Her the Only Choice to Play Maria Callas
Ian Haydn Smith explores why Angelina Jolie was the perfect performer to portray legendary opera singer Maria Callas.
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Jesse Eisenberg: I Hear the Characters' Voices in my Mind
Gabriella Geisinger speaks with writer-director-actor Jesse Eisenberg about crafting his characterful screenplay, balancing tone and finding humour in darkness.
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Babygirl Review: Sweat, Sex and Suspicious Partners
Nicole Kidman is a tightly wound girlboss undone by Harris Dickinson’s domineering intern in Halina Reijn’s skin-pricklingly seductive erotic thriller. By Yasmin Omar
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Films We’re Looking Forward to in 2025
A new year brings a new slate of movies! Here are the films we're most excited about.
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RaMell Ross and Joslyn Barnes on Nickel Boys
Screenwriters RaMell Ross and Joslyn Barnes explain how they introduced a surprising first-person perspective to their adaptation of Colson Whitehead’s award-winning novel.
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CURZON CINEMA
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